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BEGIN:VEVENT
UID:586@atlantaphotographygroup.org
DTSTART;TZID=America/New_York:20260825T000000
DTEND;TZID=America/New_York:20260925T220000
DTSTAMP:20260903T183900Z
URL:https://atlantaphotographygroup.org/events/exhibition-rebecca-morse-se
 lects-2026/
SUMMARY:Exhibition: Rebecca Morse Selects 2026
DESCRIPTION:[vc_row width="1" height="auto" disable_element="yes"][vc_colum
 n][vc_column_text css="%7B%22default%22%3A%7B%22color%22%3A%22%23ed0c0c%22
 %7D%7D"]\nSubmissions Closed Monday\, September 19\, 2022 at 10PM.\n\n[/vc
 _column_text][/vc_column][/vc_row][vc_row height="auto" content_placement=
 "middle"][vc_column width="1/2"][us_image image="59054" align="center" siz
 e="full" link="%7B%22url%22%3A%22%22%7D"][vc_column_text]\nPhoto: Chris Ma
 liwat\n[/vc_column_text][/vc_column][vc_column width="1/2"][vc_column_text
 ]\nRebecca Morse Selects\nJuror:\nRebecca Morse\nCurator\nWallis Annenberg
  Photography Department\nLos Angeles County Museum of Art\n[/vc_column_tex
 t][/vc_column][/vc_row][vc_row height="auto"][vc_column][vc_column_text]\n
 Exhibition Dates: August 25 – September 25\, 2026\nOpening Reception –
  Thursday\, August 27\, 2026\, 7:00-9:00pm EST\n[/vc_column_text][us_btn l
 abel="REGISTER TO ATTEND JUROR/ARTIST TALK VIA ZOOM" link="%7B%22url%22%3A
 %22https%3A%2F%2Fatlantaphotographygroup.org%2Fshop%2Fjuror-artist-talk-fo
 cus-2025-via-zoom%2F%22%7D" align="center" conditions_operator="never"][us
 _separator size="small"][vc_column_text]\n\n\nAtlanta Photography Group (A
 PG) is proud to present Rebecca Morse Selects 2026. The esteemed juror for
  this exhibition was Rebecca Morse\, Curator in the Wallis Annenberg Photo
 graphy Department at the Los Angeles County Museum of Art.\n\nOne artist f
 rom this exhibition will be selected for the APG/Museum of Fine Arts\, Hou
 ston Purchase Award\, a $3\,000 prize which is made possible through a gen
 erous grant from Julin Maloof and Stacey Harmer (in honor of Gloria and Te
 d Maloof)\, and Edwin Robinson. This is a great opportunity to get your w
 ork in front of an important museum curator and to be considered by Lisa V
 olpe\, Curator of Photography at the Museum of Fine Arts\, Houston for the
  museum purchase award.\n\n\n[/vc_column_text][us_separator size="small"][
 vc_column_text]\nRebecca Morse\nCurator\nWallis Annenberg Photography Depa
 rtment\nLos Angeles County Museum of Art\nRebecca Morse is Curator in the 
 Wallis Annenberg Photography Department at the Los Angeles County Museum o
 f Art. Recent projects include Ed Ruscha: Now Then\, Objects of Desire: Ph
 otography and the Language of Advertising\, Barbara Kruger: Thinking of Yo
 u I Mean Me I Mean You\, Thomas Joshua Cooper: The World’s Edge\, Sarah 
 Charlesworth: Doubleworld\, and Larry Sultan: Here and Home. She was previ
 ously Associate Curator at The Museum of Contemporary Art\, Los Angeles (M
 OCA) where she organized Amanda Ross Ho: Teeny Tiny Woman\, Cai Guo-Qiang:
  Ladder to the Sky\, Rodarte: States of Matter\, The Artist’s Museum\, a
 nd Florian Maier-Aichen. Upcoming projects include Laura Gilpin: Photograp
 her of the West.\n\nWebsite: https://www.lacma.org/[/vc_column_text][us_se
 parator size="small"][vc_column_text]\nThe Museum of Fine Arts\, Houston\n
 The Museum of Fine Arts\, Houston\, is among the 10 largest art museums in
  the United States\, with an encyclopedic collection of more than 65\,000 
 works of art. The main campus comprises the Audrey Jones Beck Building\; t
 he Caroline Wiess Law Building\; the Lillie and Hugh Roy Cullen Sculpture 
 Garden\; the Glassell School of Art\; The Brown Foundation\, Inc. Plaza\; 
 and the BBVA Compass Roof Garden. The MFAH has two cafés\, a repertory ci
 nema\, two libraries\, and two nearby house museums for decorative arts: B
 ayou Bend Collection and Gardens\, and Rienzi.  \nWebsite: mfah.org[/vc_c
 olumn_text][/vc_column][/vc_row][vc_row height="auto"][vc_column][vc_colum
 n_text]\n\n\nSelected Artists\n\n\n[/vc_column_text][/vc_column][/vc_row][
 vc_row height="auto"][vc_column width="1/2"][vc_column_text]\nAllan Finkel
 man\nAlpha Zhang\nBeate Sass\nBeth Galton\nBremner Benedict\nC E Morse\nCh
 arles A Wood\nChip Standifer\nChris Maliwat\nCindy Konits\nDon Casper\nEri
 c Kunsman\nGabrielle Morse\nGenesis Tillman\nIan McFarlane\nIsabel Chenowe
 th\n[/vc_column_text][/vc_column][vc_column width="1/2"][vc_column_text]JW
  Toftness\nJason Arel-Klein\nJohn Derryberry\nJudit German-Heins\nKatie Sh
 apiro\nKaylinn Gilstrap\nLawrence Manning\nLiz Obert\nMalcolm Easton\nNina
  Weinberg Doran\nRobert Oliver\nSusan Sidebottom\nVikesh Kapoor\nWendy Gar
 finkel-Gold\nWilliam Valentine[/vc_column_text][/vc_column][/vc_row][vc_ro
 w height="auto" disable_element="yes"][vc_column][us_btn label="VIEWING RO
 OM" link="%7B%22url%22%3A%22https%3A%2F%2Fatlantaphotographygroup.org%2Fse
 lects-2024%2F%22%7D" align="center"][us_separator size="huge"][/vc_column]
 [/vc_row]
ATTACH;FMTTYPE=image/jpeg:https://mlqotesv8ojd.i.optimole.com/w:auto/h:aut
 o/q:mauto/process:59287/id:cb419c52914863c92294579245f05f83/https://atlant
 aphotographygroup.org//id:cb419c52914863c92294579245f05f83/https://atlanta
 photographygroup.org/Rebecca-Morse-2026-Exhibition-2.jpeg
CATEGORIES:Main Gallery,Upcoming/Current
LOCATION:Atlanta Photography Group\, 1544 Piedmont Ave\, Suite 107\, Atlant
 a\, GA\, 30324\, United States
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=1544 Piedmont Ave\, Suite 1
 07\, Atlanta\, GA\, 30324\, United States;X-APPLE-RADIUS=100;X-TITLE=Atlan
 ta Photography Group:geo:0,0
END:VEVENT
BEGIN:VEVENT
UID:591@atlantaphotographygroup.org
DTSTART;TZID=America/New_York:20260830T000000
DTEND;TZID=America/New_York:20260923T235900
DTSTAMP:20260830T210927Z
URL:https://atlantaphotographygroup.org/events/call-for-entry-storytelling
 -2026/
SUMMARY:Call for Entry: Storytelling 2026
DESCRIPTION:[vc_row height="auto"][vc_column][/vc_column][/vc_row][vc_row h
 eight="auto" disable_element="yes"][vc_column][vc_column_text]APG Announce
 s Special Guest for Atlanta Celebrates Photography\, Henry Horenstein\nThe
  Atlanta Photography Group is excited to announce that our special guest f
 or Atlanta Celebrates Photography (ACP) this year will be world-renowned p
 hotographer\, author\, and educator Henry Horenstein.  He will also be th
 e juror of our next call for entries\, which will celebrate street and doc
 umentary photography. Mr. Horenstein will attend the juror/ artist talk at
  the APG Gallery in September and will also be here for a book signing\, a
 rtist talk around his decades of work and a screening of his multi-awardin
 g winning film\, Blitto Underground.  We will be releasing more details s
 hortly.[/vc_column_text][/vc_column][/vc_row][vc_row height="auto" disable
 _element="yes"][vc_column][us_separator][us_carousel post_type="attachment
 " images="32458\,32450\,32451\,32452\,32453\,32454\,32455\,32456\,32457" o
 rderby="post__in" items_layout="gallery_default" items_gap=".5rem" img_siz
 e="shop_catalog" items_ratio="1x1" carousel_arrows="1" carousel_arrows_sty
 le="7" columns="6"][/vc_column][/vc_row][vc_row height="auto"][vc_column][
 vc_column_text]\nStorytelling 2026:\nDocumentary and Street Photography\n\
 n\nThe Atlanta Photography Group is excited to announce our next call for 
 entry\, Storytelling 2026\, which celebrates street and documentary photo
 graphy of all styles with images that reflect a strong narrative. We are l
 ooking for images which are a combination of candid depictions of everyday
  life\, shadows of the city streets\, the abandonment of a country road\, 
 subtle moments of joy\, humor\, love\, fear or anxiety. Think of work like
  that created by Diane Arbus\, Bruce Davidson\, Robert Frank\, Josef Koudl
 eka\, Helen Levitt\, Baldwin Lee\, Roy DeCarava\, Mary Ellen Mark\, Daido 
 Moriyama\, Lee Friedlander\, Lisette Model\, Gordon Parks\, and Harry Call
 ahan.\n\nWe are excited to have Karen Marshall\, Chair of The Documentary 
 Practice and Visual Journalism Program for the International Center of Pho
 tography as our esteemed juror.\n\n\n[/vc_column_text][us_separator size="
 small"][vc_column_text]\nKaren Marshall\nChair of The Documentary Practice
  and Visual Journalism Program\nInternational Center for Photography\nNew 
 York photographer Karen Marshall documents social issues. By focusing on t
 he psychological lives of her subjects\, she has worked on a series of vis
 ual stories that contemplate familial relationships and convey ideas about
  people and place within the cultural landscape.\n\nHer seminal project\, 
 Between Girls\, articulates the coming of age of a group of urban middle c
 lass teenagers\, following them from high school into adulthood 30 years l
 ater.\n\nThe book of Between Girls was published by Kehrer Verlag in 2021.
 \n\nIn her documentary journey Marshall also has witnessed the struggling 
 identity of a group of Navajo Indians and the demise of their earth-based 
 culture in Caretakers of the Earth: Navajo Resistance and Relocation. She 
 often directs her camera at family life\, including her Pennsylvania Dutch
  in-laws’ clan in a series titled Pennsylvania In-Laws. In Still\, Stand
 ing\, a series begun in 2013\, she explores the Polish landscape that her 
 grandparents left behind when they emigrated to the United States in the e
 arly 1920's.\n\nMarshall is the recipient of artist fellowships and sponso
 rships through the New York Foundation for the Arts\, as well as grants an
 d support from private foundations. Her photographs have been exhibited in
  the United States\, the Philippines\, British Columbia\, Israel\, Colombi
 a\, and China\, and are part of several collections\, including the Femini
 st Artbase at The Brooklyn Museum.\n\nHer images have appeared in publicat
 ions in the United States\, Europe\, and Asia such as The Washington Post\
 , CNN\, ID Vice\, Buzzfeed\, Konbini Arts\, Juxtapoz\, Photobook Journal\,
  L'Oeil de la Photographie\, NPR Picture Show\, Blind Magazine\, Vanity Fa
 ir\, GUP Magazine among others.\n\nHer work as a freelance photographer sp
 ans many genres. Marshall’s distinctive style captures meaningful moment
 s within a narrative frame. She has photographed for editorial\, corporate
 \, non-profit\, and advertising clients for more than twenty-five years in
  Europe\, South Africa\, Asia\, and Latin America. Marshall is an expert a
 t visual storytelling with a thriving consulting business assisting photog
 raphers\, foundations\, and small companies in the creation of visual narr
 atives.\n\nMarshall is the Chair of the fulltime Documentary Practice and 
 Visual Journalism Program at The International Center of Photography where
  she has been on the faculty for more than 20 years. She is an Associate P
 rofessor (Adjunct) at New York University\, mentors MFA candidates at the 
 Maine Media Workshops\, and teaches independent workshops in the United St
 ates\, China\, Germany\, Italy\, and Columbia. Marshall holds an MFA in Ne
 w Media (Transart Institute/Donau Universitat Krems\, Austria).[/vc_column
 _text][vc_column_text]\nInternational Center for Photography\nThe Internat
 ional Center of Photography is the world’s leading institution dedicated
  to photography and visual culture. Cornell Capa founded ICP in 1974 to ch
 ampion “concerned photography”—socially and politically minded image
 s that can educate and change the world. Through their exhibitions\, educa
 tion programs\, community outreach\, and public programs\, ICP offers an o
 pen forum for dialogue about the power of the image.\n\nWebsite: https://w
 ww.icp.org[/vc_column_text][us_separator size="small"][vc_column_text]\nEN
 TRY INFORMATION\nCFE Submissions:  August 30–September 23\, 2026\nAll d
 ates and times are Eastern Time (ET)\nAll submissions must be made by Sept
 ember 23\, 2026\, Midnight\n\nEarly Submissions – August 30 – Septembe
 r 7\, 2026:\n2 works: $30\, 4 works: $45\, 6 works: $55\, 8 works: $70\nRe
 gular Submissions – September 8 – 20\, 2026:\n2 images: $40\, 4 images
 : $60\, 6 images: $70\, 8 images: $85\nLate Submissions – September 21 
 – 23\, 2026:\n2 images: $50\, 4 images: $70\, 6 images: $80\, 8 images: 
 $95\nStudent Submissions:\n2 images: $30\, 4 images: $45\, 6 images: $55\,
  8 images: $70\nSelected work can be up to 32” on the longest side. Whit
 e or Black frame. White or Black mats only. Must have wire on back for han
 ging.\n\nImages which have been shown in either the Main or Maloof Galleri
 es within the last 3 years are not eligible. This does not include Push Pi
 n or Airport.\n\nDeadline For Entries: September 23\, 2026\, Midnight\nNot
 ification of Accepted Work: On or about September 30\, 2026\nDelivery of W
 ork: October 30\, 2026 at 4pm ET – No work will be accepted after this d
 ate.\nShow Dates: November 3 – December 4\, 2026\nReception &amp\; Juro
 r Talk: TBD\nPick-Up: Works must be picked up within 10 days after the exh
 ibition closes. Please provide return label if you аre shipping your work
 .\n\nOpen to APG members – Join or Renew Now!\n\nFILE PREPARATION\n\n 	
 The juror will be selecting the images from all entries.\n 	Export images 
 as .jpg. Resize to 2100 px on the longest side.\n 	Rename files to the tit
 les of each work exactly as you wish it to appear (example: My Great Photo
 .jpg) Your name will be automatically prepended to the file upon upload.\n
  	Create a text file with your Personal Info (name\, email\, phone\, websi
 te/social media)\, Artist Statement (500 words max)\, Bio (250 words max)\
 , and Image list (in this order: Title\, Year piece was created\, Print/Im
 age Size (H x W)\, estimated Framed Size (H x W) Medium (archival pigment 
 print\, inkjet print\, silver gelatin\, cyanotype\, etc.)\, and save this 
 file as a Word doc or PDF.\n 	Once you have paid the Entry Fee\, you will 
 receive an email with a link to upload your files\n\nIn order to submit yo
 ur work you must be a current APG member. Join or Renew Now!\n\nAll entri
 es must be completed ONLINE. Do NOT email any image files\n\n 	Complete On
 line Registration &amp\; Payment\n 	The link to upload your files will be 
 sent to you in your payment confirmation email. You will receive two email
 s after you pay. One will have the upload link. If you don't receive two e
 mails\, check your spam folder.\n 	Once you get this link\, you must be lo
 gged into the website in order to successfully upload your work.\n 	Upload
  Files to the Dropbox link found in the payment confirmation.\n 	If you ha
 ve any questions or need assistance\, please contact - gallery@AtlantaPhot
 ographyGroup.org\n\n[/vc_column_text][/vc_column][/vc_row][vc_row width="1
 " height="auto" disable_element="yes"][vc_column][us_separator size="small
 "][vc_column_text]\nEarly Submissions - June 1 - June 30\, 2022\n[/vc_colu
 mn_text][/vc_column][/vc_row][vc_row width="full" height="auto" conditions
 _operator="never"][vc_column][us_separator size="small"][vc_column_text]\n
 REGISTRATION CLOSED\n[/vc_column_text][/vc_column][/vc_row][vc_row width="
 full" height="auto"][vc_column][us_btn label="Submit Your Work" link="%7B%
 22url%22%3A%22https%3A%2F%2Fatlantaphotographygroup.org%2Fshop%2Fcall-for-
 entry-storytelling-2026%2F%22%2C%22title%22%3A%22Tell%20Me%20A%20Story%20-
 %20Late%22%7D" hide_with_empty_link="1" align="center"][us_separator size=
 "small"][/vc_column][/vc_row][vc_row width="1" height="auto" disable_eleme
 nt="yes"][vc_column][vc_column_text]\nStudent Submissions - June 1 - Augus
 t 15\, 2022\n[/vc_column_text][us_separator size="small"][/vc_column][/vc_
 row][vc_row width="full" height="auto" disable_element="yes"][vc_column wi
 dth="1/4"][us_btn label="Student Submission - 2 for $30" link="%7B%22url%2
 2%3A%22https%3A%2F%2Fatlantaphotographygroup.org%2Fshop%2Fcall-for-entry-s
 torytelling-2023-2-images%2F%22%2C%22title%22%3A%22Student%20Submission%20
 2%20for%2030%22%7D" hide_with_empty_link="1" align="center"][us_separator 
 size="huge"][/vc_column][vc_column width="1/4"][us_btn label="Student Subm
 ission - 4 for $45" link="%7B%22url%22%3A%22https%3A%2F%2Fatlantaphotograp
 hygroup.org%2Fshop%2Fcall-for-entry-storytelling-2023-4-images%2F%22%2C%22
 title%22%3A%22Student%20Submission%204%20for%2045%22%7D" hide_with_empty_l
 ink="1" align="center"][us_separator size="huge"][/vc_column][vc_column wi
 dth="1/4"][us_btn label="Student Submission - 6 for $55" link="%7B%22url%2
 2%3A%22https%3A%2F%2Fatlantaphotographygroup.org%2Fshop%2Fcall-for-entry-s
 torytelling-2023-6-images%2F%22%2C%22title%22%3A%22Student%20Submission%20
 6%20for%2055%22%7D" hide_with_empty_link="1" align="center"][us_separator 
 size="huge"][/vc_column][vc_column width="1/4"][us_btn label="Student Subm
 ission - 8 for $70" link="%7B%22url%22%3A%22https%3A%2F%2Fatlantaphotograp
 hygroup.org%2Fshop%2Fcall-for-entry-storytelling-2023-8-images%2F%22%2C%22
 title%22%3A%22Student%20Submission%208%20for%2070%22%7D" hide_with_empty_l
 ink="1" align="center"][us_separator size="huge"][/vc_column][/vc_row]
ATTACH;FMTTYPE=image/jpeg:https://mlqotesv8ojd.i.optimole.com/w:auto/h:aut
 o/q:mauto/process:59526/id:f0b06992a7577b17390b6980e2d6da50/https://atlant
 aphotographygroup.org//id:f0b06992a7577b17390b6980e2d6da50/https://atlanta
 photographygroup.org/Storytelling-2026.jpg
CATEGORIES:Upcoming/Current,Calls For Entry
LOCATION:Atlanta Photography Group\, 1544 Piedmont Ave\, Suite 107\, Atlant
 a\, GA\, 30324\, United States
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=1544 Piedmont Ave\, Suite 1
 07\, Atlanta\, GA\, 30324\, United States;X-APPLE-RADIUS=100;X-TITLE=Atlan
 ta Photography Group:geo:0,0
END:VEVENT
BEGIN:VEVENT
UID:592@atlantaphotographygroup.org
DTSTART;TZID=America/New_York:20260830T000000
DTEND;TZID=America/New_York:20260923T234500
DTSTAMP:20260830T220338Z
URL:https://atlantaphotographygroup.org/events/call-for-entry-portrait-202
 6/
SUMMARY:Call for Entry: Portrait 2026
DESCRIPTION:[vc_row width="full" height="auto" disable_element="yes"][vc_co
 lumn][vc_column_text css="%7B%22default%22%3A%7B%22color%22%3A%22%23f00c4d
 %22%7D%7D"]\nSUBMISSIONS WILL OPEN ON MONDAY\, MAY 1\, 2023\nPlease check 
 back!\n[/vc_column_text][/vc_column][/vc_row][vc_row width="full" height="
 auto" disable_element="yes"][vc_column][vc_column_text css="%7B%22default%
 22%3A%7B%22color%22%3A%22%23ed0c0c%22%7D%7D"]\nSUBMISSIONS CLOSE TONIGHT -
  Monday\, January 2\, 2023 at 10PM.\n\n[/vc_column_text][/vc_column][/vc_r
 ow][vc_row width="full" height="auto" disable_element="yes"][vc_column][vc
 _column_text css="%7B%22default%22%3A%7B%22color%22%3A%22%23ed0c0c%22%7D%7
 D"]\nSubmissions Closed Monday\, June 5\, 2023 at 10PM.\n \n[/vc_column_t
 ext][/vc_column][/vc_row][vc_row width="full" height="auto" content_placem
 ent="middle"][vc_column][vc_column_text css="%7B%22default%22%3A%7B%22marg
 in-bottom%22%3A%22-150%22%7D%7D"]\n\n\nPortrait 2026\nJuror:\nAlan K. Aver
 y\nPresident and Owner of Alan Avery Art Company\n\n\n[/vc_column_text][/v
 c_column][/vc_row][vc_row width="full" height="auto"][vc_column][us_separa
 tor size="small"][vc_column_text]\n\n\n\n\nWe invite photographers from ar
 ound the world to submit their most compelling and thought-provoking works
  for our upcoming exhibition\, Portrait 2026. This exhibition seeks to cel
 ebrate the timeless art of portraiture and the profound stories that can b
 e conveyed through the human figure. We are looking for images which explo
 re the intricate and intimate connections that bind us as human beings. T
 hrough the lens of portraiture\, this exhibition aims to unveil the unique
  narratives that are etched onto each individual's face and body. The huma
 n form\, whether presented in its unadorned simplicity or adorned with per
 sonal symbolism\, serves as a canvas for emotions\, experiences\, and stor
 ies that transcend cultural boundaries.\n\nThemes include but are not limi
 ted to:\n\n 	Identity and self-expression\n 	Emotion and psychology\n 	Cul
 tural diversity\n 	Narrative portraiture\n\nAPG is thrilled to have Alan K
 . Avery\, President and Owner of Alan Avery Art Company as our esteemed 
 juror.\n\nUp to 24 Works will be selected. Selected work can be up to 24
 ” on the longest side. White or Black frame. White or Black mats only. M
 ust have wire on back for hanging.\n\n\n\n[/vc_column_text][us_separator s
 ize="small"][vc_column_text]\nAlan K. Avery\nPresident and Owner\nAlan Ave
 ry Art Company\nAlan Avery is the President and Owner of Alan Avery Art Co
 mpany.\nThe gallery opened in 1981 in a downtown warehouse on Trinity Aven
 ue\, formerly known as Trinity Gallery. In 1991\, the gallery moved to the
  Buckhead district of Atlanta where it has been located for 42 years.​\n
 Alan Avery Art Company\, now the oldest sustained art gallery in Atlanta\,
  represents works by exciting and technically proficient emerging\, mid-ca
 reer\, and internationally established artists including: Robert Rauschenb
 erg\, Jim Dine\, Andy Warhol\, Chuck Close\, Roy Lichtenstein\, Caio Fonse
 ca\, Donald Sultan\, Helen Frankenthaler\, Louise Nevelson\, Kara Walker\,
  Fabiola Jean -Louis\, Margaret Bowland\, the Estate of Thomas Hart Benton
  and the Estate of Romare Bearden.\n[/vc_column_text][vc_column_text condi
 tions_operator="never"]\nFraction Magazine\nFraction Magazine is an online
  venue dedicated to showcasing thoughtful photographic projects from a glo
 bal community. They believe that photography\, as a perpetually growing se
 t of practices\, continues to present a unique medium through which indivi
 duals engage with the world by making visible their positions and concerns
 \, their pleasures and sorrows. From their inception\, their monthly issue
 s have provided a venue for perspectives and bodies of work from artists f
 rom a wide range of cultural and ethnic backgrounds\, gender and sexual ex
 pressions\, religious beliefs\, socioeconomic statuses\, and geographical 
 locations. Fraction is committed to being anti-racist and to broadening th
 e historically narrow and privileged perspectives that have long dominated
  photographic discourse through layers of institutional filters. They pled
 ge to share their platform with and provide ongoing collaborative opportun
 ities for BIPOC\, LGBTQ+\, and Womxn artists\, curators and writers\, and 
 those bringing perspectives that are under-represented in photography. The
 y are committed to exploring photography with our growing community\, as a
  means to understanding\, and through understanding\, compassion\, and adv
 ocacy.\n\nWebsite: https://www.fractionmagazine.com[/vc_column_text][us_se
 parator size="small"][/vc_column][/vc_row][vc_row width="full" height="aut
 o"][vc_column][vc_column_text]\nENTRY INFORMATION\nCFE Submissions:  Augu
 st 30–September 23\, 2026\nAll dates and times are Eastern Time (ET)\nAl
 l submissions must be made by September 23\, 2026\, Midnight\n\nEarly Subm
 issions – August 30 – September 7\, 2026:\n2 works: $30\, 4 works: $45
 \, 6 works: $55\, 8 works: $70\nRegular Submissions – September 8 – 20
 \, 2026:\n2 images: $40\, 4 images: $60\, 6 images: $70\, 8 images: $85\nL
 ate Submissions – September 21 – 23\, 2026:\n2 images: $50\, 4 images:
  $70\, 6 images: $80\, 8 images: $95\nStudent Submissions:\n2 images: $30\
 , 4 images: $45\, 6 images: $55\, 8 images: $70\nSelected work can be up t
 o 24” on the longest side. White or Black frame. White or Black mats onl
 y. Must have wire on back for hanging.\n\nImages which have been shown in 
 either the Main or Maloof Galleries within the last 3 years are not eligib
 le. This does not include Push Pin or Airport.\n\nDeadline For Entries: Se
 ptember 23\, 2026\, Midnight\nNotification of Accepted Work: On or about S
 eptember 30\, 2026\nDelivery of Work: October 30\, 2026 at 4pm ET – No w
 ork will be accepted after this date.\nShow Dates: November 3 – December
  4\, 2026\nReception &amp\; Juror Talk: TBD\nPick-Up: Works must be picke
 d up within 10 days after the exhibition closes. Please provide return lab
 el if you аre shipping your work.\n\nOpen to APG members – Join or Ren
 ew Now!\n\nFILE PREPARATION\n\n 	The juror will be selecting the images fr
 om all entries.\n 	Export images as .jpg. Resize to 2100 px on the longest
  side.\n 	Rename files to the titles of each work exactly as you wish it t
 o appear (example: My Great Photo.jpg) Your name will be automatically pre
 pended to the file upon upload.\n 	Create a text file with your Personal I
 nfo (name\, email\, phone\, website/social media)\, Artist Statement (500 
 words max)\, Bio (250 words max)\, and Image list (in this order: Title\, 
 Year piece was created\, Print/Image Size (H x W)\, estimated Framed Size 
 (H x W) Medium (archival pigment print\, inkjet print\, silver gelatin\, c
 yanotype\, etc.)\, and save this file as a Word doc or PDF.\n 	Once you ha
 ve paid the Entry Fee\, you will receive an email with a link to upload yo
 ur files\n\nIn order to submit your work you must be a current APG member.
  Join or Renew Now!\n\nAll entries must be completed ONLINE. Do NOT email
  any image files\n\n 	Complete Online Registration &amp\; Payment\n 	The l
 ink to upload your files will be sent to you in your payment confirmation 
 email. You will receive two emails after you pay. One will have the upload
  link. If you don't receive two emails\, check your spam folder.\n 	Once y
 ou get this link\, you must be logged into the website in order to success
 fully upload your work.\n 	Upload Files to the Dropbox link found in the p
 ayment confirmation.\n 	If you have any questions or need assistance\, ple
 ase contact - gallery@AtlantaPhotographyGroup.org\n\n[/vc_column_text][us_
 separator size="small"][/vc_column][/vc_row][vc_row width="full" height="a
 uto"][vc_column][us_btn label="SUBMIT YOUR WORK" link="%7B%22url%22%3A%22h
 ttps%3A%2F%2Fatlantaphotographygroup.org%2Fshop%2Fcall-for-entry-portrait-
 2026%2F%22%2C%22title%22%3A%22Submit%20Your%20Work%22%7D" hide_with_empty_
 link="1" align="center"][/vc_column][/vc_row][vc_row width="full" height="
 auto" disable_element="yes"][vc_column][us_btn label="Submit 2\, 4\, 6 or 
 8 Images" link="%7B%22url%22%3A%22https%3A%2F%2Fatlantaphotographygroup.or
 g%2Fshop%2Fcall-for-entry-portrait-2024%2F%22%7D" align="center"][/vc_colu
 mn][/vc_row][vc_row width="full" height="auto" disable_element="yes"][vc_c
 olumn width="1/4"][us_btn label="STUDENT REGISTRATION - 2 IMAGES" link="%7
 B%22url%22%3A%22https%3A%2F%2Fatlantaphotographygroup.org%2Fshop%2Fcall-fo
 r-entry-identity-2023-2-images%2F%22%7D" align="center"][/vc_column][vc_co
 lumn width="1/4"][us_btn label="STUDENT REGISTRATION - 4 IMAGES" link="%7B
 %22url%22%3A%22https%3A%2F%2Fatlantaphotographygroup.org%2Fshop%2Fcall-for
 -entry-identity-2023-4-images%2F%22%7D" align="center"][/vc_column][vc_col
 umn width="1/4"][us_btn label="STUDENT REGISTRATION - 6 IMAGES" link="%7B%
 22url%22%3A%22https%3A%2F%2Fatlantaphotographygroup.org%2Fshop%2Fcall-for-
 entry-identity-2023-6-images%2F%22%7D" align="center"][/vc_column][vc_colu
 mn width="1/4"][us_btn label="STUDENT REGISTRATION - 8 IMAGES" link="%7B%2
 2url%22%3A%22https%3A%2F%2Fatlantaphotographygroup.org%2Fshop%2Fcall-for-e
 ntry-identity-2023-8-images%2F%22%7D" align="center"][/vc_column][/vc_row]
 [vc_row width="full" height="auto" conditions_operator="never"][vc_column]
 [vc_column_text]\nRegistrations Closed\n[/vc_column_text][/vc_column][/vc_
 row][vc_row width="full" height="auto" disable_element="yes"][vc_column][v
 c_column_text]\nStudent Submissions - May 1 - June 1\, 2023\n[/vc_column_t
 ext][/vc_column][/vc_row][vc_row width="full" height="auto" disable_elemen
 t="yes"][vc_column][vc_column_text]\nSubmissions will open on August 19\, 
 2023\n[/vc_column_text][us_separator size="small"][/vc_column][/vc_row][vc
 _row height="auto"][vc_column][us_separator size="small"][/vc_column][/vc_
 row]
ATTACH;FMTTYPE=image/jpeg:https://mlqotesv8ojd.i.optimole.com/w:auto/h:aut
 o/q:mauto/process:59539/id:97379c1f893340690d99e26465c87e71/https://atlant
 aphotographygroup.org//id:97379c1f893340690d99e26465c87e71/https://atlanta
 photographygroup.org/Portrait-2026.jpeg
CATEGORIES:Upcoming/Current,Calls For Entry
LOCATION:Atlanta Photography Group\, 1544 Piedmont Ave\, Suite 107\, Atlant
 a\, GA\, 30324\, United States
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=1544 Piedmont Ave\, Suite 1
 07\, Atlanta\, GA\, 30324\, United States;X-APPLE-RADIUS=100;X-TITLE=Atlan
 ta Photography Group:geo:0,0
END:VEVENT
BEGIN:VEVENT
UID:590@atlantaphotographygroup.org
DTSTART;TZID=America/New_York:20260919T090000
DTEND;TZID=America/New_York:20260920T150000
DTSTAMP:20260902T152906Z
URL:https://atlantaphotographygroup.org/events/workshop-developing-black-a
 nd-white-film-introduction-to-the-darkroom/
SUMMARY:Workshop - Developing Black and White Film & Introduction to the Da
 rkroom
DESCRIPTION:[vc_row height="auto" full_height="1"][vc_column][vc_column_tex
 t]\n\nDeveloping Black &amp\; White Film &amp\; Introduction to the Darkro
 om\nA 2-day workshop - take 1 day or both - your choice!\nSaturday: Develo
 ping Black &amp\; White Film - Chip Standifer - 9am-3pm\nSunday: Intro to 
 the Darkroom - Quintavious Oliver - 10am-3pm\n\nAt the APG Gallery and Dar
 kroom\n\nDeveloping Black and White Film is a hands-on\, one-day workshop 
 designed for photographers who want a clear\, practical introduction to an
 alog film development. Taught by artist Chip Standifer\, this course demys
 tifies the darkroom process and gives participants the confidence to devel
 op black and white film on their own.\n\nThe workshop is structured as thr
 ee hours in the morning and two hours in the afternoon\, with a break for 
 lunch. In the morning session\, participants will cover the fundamentals o
 f black and white film\, including exposure considerations\, film types\, 
 chemistry\, equipment\, and darkroom workflow. Chip will walk through each
  step of the development process\, explaining not just how to do it\, but 
 why each step matters.\n\nAfter lunch\, participants will put theory into 
 practice by developing their own first roll of black and white film. The a
 fternoon session focuses on hands-on learning\, troubleshooting common iss
 ues\, and best practices for consistency and archival results. By the end 
 of the class\, participants will leave with a developed roll of film and a
  solid understanding of how to repeat the process independently.\n\nThis w
 orkshop is ideal for beginners with little or no darkroom experience\, as 
 well as digital photographers curious about working with film.\n\nINSTRUCT
 OR: Chip Standifer\n\nAs a well-travelled but odd and disconnected child\,
  Chip Standifer was always a keen observer of people\, places and situatio
 ns. At the age of 12\, he built a pinhole camera and discovered the deligh
 ts of creating images\, developing film\, and the magic of photographic im
 ages emerging from the darkness.  Today\, when travelling the world for f
 ast paced startups\, he enjoys the meditative benefits of noticing the bea
 uty everyone else misses as they hustle by.  His images have been juried 
 into multiple shows at the Atlanta Photography Group\, the Photographer’
 s Eye Collective\, The Houston Center for Photography\, the Photo Place Ga
 llery\, the SOHO Photo Gallery\, the Southeastern Center for Photography\,
  the Atlanta Airport\, The 2025 Atlanta Art Fair\, The Marietta Cobb Art M
 useum\,  the John’s Creek Art Center\, The Fence Regional Show\, Slow E
 xposures\, The Montgomery Photo Festival\, The South By Southeast Gallery\
 , The Florida Museum of Photographic Arts\, The Madison-Morgan Cultural Ce
 nter and the Buckhead Library.[/vc_column_text][us_separator size="small"]
 [vc_column_text]Introduction to the Darkroom - Learning how to see and mak
 e pictures with your camera is one thing - learning how to make your photo
 graphs real by printing them is another artform\, entirely. To do so by ha
 nd is often looked at as something of a meditative\, alchemical\, and spir
 itual practice. Inthis Intro To Darkroom class\, you’ll be given the too
 ls to immortalize your images on silver gelatin paper through the classica
 l means of black and white photographic development.\n\nStudents will expl
 ore the relationship between their film and paper of choice\, various chem
 istry\, contrast filters\, and proper darkroom etiquette. This course will
  be a hands on an immersive experience for beginners and returning analogu
 e printers alike. Once complete\, students will have a fundamental underst
 anding of darkroom printing concepts as well as how to see and understand 
 print worthy images before raising their camera to expose their film.\n\nC
 hemistry will be provided.\n\nEach student should bring their own black an
 d white negatives and photosensitive paper to print with.\n\nClass will be
  limited to six students.\n\nINSTRUCTOR: Quintavious Oliver\n\nQuintavius 
 Oliver (b. 1989 Atlanta\, Ga.) is an Atlanta based fine art and documentar
 y photographer who uses his engaging and intimate portraits as a means for
  dynamic storytelling. Acquiring his first camera at the age of six from h
 is grandmother\, he immediately began to document his ever-expanding world
 . By his mid-20s the self-taught colorblind photographer was making waves 
 in the photography community\, landing exhibitions at the Museum of Contem
 porary Art in Atlanta and the Griffin Museum in Winchester\, MA - all whil
 e raising his daughter as a full-time single father. Quintavius spent much
  of his early career straddling the fence between his documentary-style ph
 otography in the streets of Atlanta and making intimate portraits with fri
 ends\, exploring sexuality\, fear\, joy\, and identity. His work would eve
 ntually expand to places like India and Cuba where he would explore life i
 n the homes of individuals and families\, fostering a sense of global comm
 unity through photography. Those photographs have since been awarded 1st p
 lace in the 2025 International Photography Awards in Greece\, exhibitions 
 at The Art Gallery of Alberta\, Canada\, and even the permanent collection
 s of The Museum of Contemporary Art\, Houston TX and the Museum of Contemp
 orary Art\, Ga. Now\, still with a camera in hand\, Quintavius has made it
  his mission to see and photograph people honestly and wholly as he contin
 ues to create a space for self-expression and vulnerability through his pa
 ssion for photography.[/vc_column_text][us_separator size="small"][vc_colu
 mn_text]\nWorkshop Title – Saturday: Developing Black &amp\; White Film 
 - Chip Standifer - 9am-3pm\nSunday: Intro to the Darkroom - Quintavious Ol
 iver - 10am-3pm\nInstructor’s Names – Chip Standifer &amp\; Quintaviou
 s Oliver\nDate(s) – Saturday\, September 19 &amp\; Sunday\, September 20
 \, 2026\nTime(s) – Saturday: 9:00am - 3:00pm / Sunday: 10:00am - 3:00pm\
 nLocation – In-Person at the APG Gallery and Darkroom\nWorkshop Fee – 
 Saturday $45 member / $65 non-members\nSunday $175 member / $195 non-membe
 rs\nPurchase both Saturday and Sunday $185 member / $205 non-members\nMaxi
 mum of 6 students for each class\n[/vc_column_text][us_separator size="sma
 ll"][us_btn label="REGISTER" link="%7B%22url%22%3A%22https%3A%2F%2Fatlanta
 photographygroup.org%2Fshop%2Fworkshop-developing-black-and-white-film-int
 roduction-to-the-darkroom%2F%22%2C%22title%22%3A%22Workshop%3A%20Cultivate
 %20New%20Audiences%20and%20Disseminate%20Your%20Work%22%7D" hide_with_empt
 y_link="1" align="center"][us_separator size="small"][/vc_column][/vc_row]
ATTACH;FMTTYPE=image/jpeg:https://mlqotesv8ojd.i.optimole.com/w:auto/h:aut
 o/q:mauto/process:59455/id:5b9617969806b2a5711a3923bf519176/https://atlant
 aphotographygroup.org//id:5b9617969806b2a5711a3923bf519176/https://atlanta
 photographygroup.org/BW_Darkroom_Workshop_IG-2.png
CATEGORIES:Upcoming/Current,Workshops
END:VEVENT
BEGIN:VEVENT
UID:387@atlantaphotographygroup.org
DTSTART;TZID=America/New_York:20260926T100000
DTEND;TZID=America/New_York:20260926T120000
DTSTAMP:20260823T215829Z
URL:https://atlantaphotographygroup.org/events/photo-book-saturday/
SUMMARY:Photo Book Saturday
DESCRIPTION:[vc_row height="auto" disable_element="yes"][vc_column][/vc_col
 umn][vc_column][vc_column_text css="%7B%22default%22%3A%7B%22color%22%3A%2
 2%23e02222%22%7D%7D"]SUBMISSIONS ARE CLOSED\, BUT REGISTRATION FOR THE LIS
 TEN &amp\; LEARN OPTION ARE OPEN THROUGH WEDNESDAY\,  NOVEMBER 9\, 2022 A
 T 10PM.[/vc_column_text][us_separator size="small"][/vc_column][/vc_row][v
 c_row height="auto" disable_element="yes"][vc_column][/vc_column][vc_colum
 n][vc_column_text css="%7B%22default%22%3A%7B%22color%22%3A%22%23e02222%22
 %2C%22margin-bottom%22%3A%22-30px%22%7D%7D"]\nProject Review Slots are SOL
 D OUT\n[/vc_column_text][us_separator size="small"][/vc_column][/vc_row][v
 c_row width="full" height="auto"][vc_column][/vc_column][vc_column][vc_col
 umn_text]\n\n[/vc_column_text][us_separator][vc_column_text]\n\nWith all t
 he photo books out today it is impossible to see them all\, much less own 
 them.  Join APG members on the 4th Saturday of each month for Photo Book 
 Saturday at the gallery.  Bring your favorite book to show fellow members
 \, or just come along to see what your fellow members find stimulating\, i
 nspiring\, or innovative in the world of photography today.  Connect\, ca
 tch up\, and share with your community.\n\n\n[/vc_column_text][/vc_column]
 [/vc_row][vc_row width="full" height="auto" disable_element="yes"][vc_colu
 mn][vc_column_text]\n\n\nModerator’s Bio\nBeth Lilly is a photographic a
 rtist whose work explores the formation of personal and cultural identitie
 s and the role choice\, chance and circumstance play in that ongoing evolu
 tion. Lilly earned an MFA in Photography from Georgia State University and
  an A.B.J. in Telecommunication Arts from the University of Georgia. Her w
 ork resides in the permanent collections of the High Museum\, the New Mexi
 co Museum of Art\, The Ogden Museum of Southern Art\, MOCA GA\, the Zucker
 man Museum and many other institutional and private collections. Her criti
 cally acclaimed performance/interactive project “The Oracle @ WiFi” wa
 s published by Kehrer Verlag and other projects have been featured in mono
 graphs ‘Noplaceness: Art in a Post-Urban Landscape’ and ‘Earth Now: 
 American Landscape Photographers and the Environment’. Her work has been
  reproduced and reviewed in such publications as Blind Magazine\, F-Stop M
 agazine\, Lensculture\, Art Papers\, Papermag\, Burnaway\, The Bitter Sout
 herner\, Atlanta Magazine and ArtsATL. Select exhibitions include New Mexi
 co Museum of Art\, The High Museum of Art\, Spalding Nix Fine Art\, the SE
  Center for Photography\, Whitespace Gallery\, the Atlanta Contemporary Ar
 t Center\, and the Center for Fine Art Photography. In addition to her per
 sonal work\, she teaches\, curates\, and serves on the Board of the Atlant
 a Photography Group.\n\n\nModerator's Website – www.bethlilly.com\n\n\n
 [/vc_column_text][/vc_column][/vc_row][vc_row width="full" height="auto"][
 vc_column][vc_column_text]Event:                            
            Fourth Saturday of Each Month\, 10:00am-noon EST\nLocation
 :                                 In-Person - At the APG G
 allery[/vc_column_text][us_separator size="small"][/vc_column][/vc_row][vc
 _row height="auto" disable_element="yes"][vc_column][vc_column_text]\nREGI
 STER AS PRESENTER\nYOU DO NOT NEED TO REGISTER IF YOU ARE JUST OBSERVING\n
 [/vc_column_text][/vc_column][/vc_row][vc_row height="auto" disable_elemen
 t="yes"][vc_column][us_btn label="December 21\, 2024 Presenter Registratio
 n" link="%7B%22url%22%3A%22https%3A%2F%2Fatlantaphotographygroup.org%2Fsho
 p%2Fcritique-in-person-critique-group-moderated-by-beth-lilly%2F%22%2C%22t
 itle%22%3A%22Critique%20-%20December%206%2C%202023%22%7D" hide_with_empty_
 link="1" align="center"][/vc_column][/vc_row][vc_row disable_element="yes"
 ][vc_column][vc_column_text css="%7B%22default%22%3A%7B%22color%22%3A%22%2
 3b00e1c%22%7D%7D"]\nRegistrations will open at 6pm on January 17\, 2023. P
 lease check back.\n[/vc_column_text][/vc_column][/vc_row]
ATTACH;FMTTYPE=image/jpeg:https://mlqotesv8ojd.i.optimole.com/w:auto/h:aut
 o/q:mauto/process:45079/id:cc1490baedf796264f24064e154d2d71/https://atlant
 aphotographygroup.org//id:cc1490baedf796264f24064e154d2d71/https://atlanta
 photographygroup.org/photobooksaturday-1.jpeg
CATEGORIES:Meetups,Photo Book Saturday,Upcoming/Current
LOCATION:Atlanta Photography Group\, 1544 Piedmont Ave\, Suite 107\, Atlant
 a\, GA\, 30324\, United States
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=1544 Piedmont Ave\, Suite 1
 07\, Atlanta\, GA\, 30324\, United States;X-APPLE-RADIUS=100;X-TITLE=Atlan
 ta Photography Group:geo:0,0
END:VEVENT
BEGIN:VEVENT
UID:585@atlantaphotographygroup.org
DTSTART;TZID=America/New_York:20260926T100000
DTEND;TZID=America/New_York:20260926T160000
DTSTAMP:20260812T164832Z
URL:https://atlantaphotographygroup.org/events/photography-gear-swap-sell/
SUMMARY:Photography Gear Swap & Sell
DESCRIPTION:[vc_row height="auto" disable_element="yes"][vc_column][/vc_col
 umn][vc_column][vc_column_text css="%7B%22default%22%3A%7B%22color%22%3A%2
 2%23e02222%22%7D%7D"]SUBMISSIONS ARE CLOSED\, BUT REGISTRATION FOR THE LIS
 TEN &amp\; LEARN OPTION ARE OPEN THROUGH WEDNESDAY\,  NOVEMBER 9\, 2022 A
 T 10PM.[/vc_column_text][us_separator size="small"][/vc_column][/vc_row][v
 c_row height="auto" disable_element="yes"][vc_column][/vc_column][vc_colum
 n][vc_column_text css="%7B%22default%22%3A%7B%22color%22%3A%22%23e02222%22
 %2C%22margin-bottom%22%3A%22-30px%22%7D%7D"]\nProject Review Slots are SOL
 D OUT\n[/vc_column_text][us_separator size="small"][/vc_column][/vc_row][v
 c_row width="full" height="auto"][vc_column][/vc_column][vc_column][vc_col
 umn_text]\n\n[/vc_column_text][us_separator][vc_column_text]\nTime to clea
 r out that camera bag and find something new-to-you! Join us at the Atlant
 a Photography Group for a gear swap and sell — bring any camera gear you
 'd like to trade or sell\, and browse what other local photographers are l
 etting go of.\nLenses\, bodies\, bags\, tripods\, film — you name it.\n
 🗓️ Saturday\, September 26\n🕙 10am – 4pm\n📍 APG Gallery at An
 sley Mall — 1544 Piedmont Ave NE\, Ste. 107\, Atlanta\, GA\nFree and ope
 n to the public — come find your next favorite piece of gear!\n[/vc_colu
 mn_text][/vc_column][/vc_row][vc_row width="full" height="auto" disable_el
 ement="yes"][vc_column][vc_column_text]\n\n\nModerator’s Bio\nBeth Lilly
  is a photographic artist whose work explores the formation of personal an
 d cultural identities and the role choice\, chance and circumstance play i
 n that ongoing evolution. Lilly earned an MFA in Photography from Georgia 
 State University and an A.B.J. in Telecommunication Arts from the Universi
 ty of Georgia. Her work resides in the permanent collections of the High M
 useum\, the New Mexico Museum of Art\, The Ogden Museum of Southern Art\, 
 MOCA GA\, the Zuckerman Museum and many other institutional and private co
 llections. Her critically acclaimed performance/interactive project “The
  Oracle @ WiFi” was published by Kehrer Verlag and other projects have b
 een featured in monographs ‘Noplaceness: Art in a Post-Urban Landscape
 ’ and ‘Earth Now: American Landscape Photographers and the Environment
 ’. Her work has been reproduced and reviewed in such publications as Bli
 nd Magazine\, F-Stop Magazine\, Lensculture\, Art Papers\, Papermag\, Burn
 away\, The Bitter Southerner\, Atlanta Magazine and ArtsATL. Select exhibi
 tions include New Mexico Museum of Art\, The High Museum of Art\, Spalding
  Nix Fine Art\, the SE Center for Photography\, Whitespace Gallery\, the A
 tlanta Contemporary Art Center\, and the Center for Fine Art Photography. 
 In addition to her personal work\, she teaches\, curates\, and serves on t
 he Board of the Atlanta Photography Group.\n\n\nModerator's Website – w
 ww.bethlilly.com\n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row width=
 "full" height="auto"][vc_column][vc_column_text]\nEvent: Photography Gear 
 Swap &amp\; Sell\nSaturday\, September2627\, 2026\, 10am-4pm ET\nLocation:
  In-Person - At the APG Gallery\n[/vc_column_text][us_separator size="smal
 l"][/vc_column][/vc_row][vc_row height="auto" disable_element="yes"][vc_co
 lumn][vc_column_text]\nREGISTER AS PRESENTER\nYOU DO NOT NEED TO REGISTER 
 IF YOU ARE JUST OBSERVING\n[/vc_column_text][/vc_column][/vc_row][vc_row h
 eight="auto" disable_element="yes"][vc_column][us_btn label="December 21\,
  2024 Presenter Registration" link="%7B%22url%22%3A%22https%3A%2F%2Fatlant
 aphotographygroup.org%2Fshop%2Fcritique-in-person-critique-group-moderated
 -by-beth-lilly%2F%22%2C%22title%22%3A%22Critique%20-%20December%206%2C%202
 023%22%7D" hide_with_empty_link="1" align="center"][/vc_column][/vc_row][v
 c_row disable_element="yes"][vc_column][vc_column_text css="%7B%22default%
 22%3A%7B%22color%22%3A%22%23b00e1c%22%7D%7D"]\nRegistrations will open at 
 6pm on January 17\, 2023. Please check back.\n[/vc_column_text][/vc_column
 ][/vc_row]
ATTACH;FMTTYPE=image/jpeg:https://mlqotesv8ojd.i.optimole.com/w:auto/h:aut
 o/q:mauto/process:59233/id:0ddf19fc36503463e82e104b940c9e49/https://atlant
 aphotographygroup.org//id:0ddf19fc36503463e82e104b940c9e49/https://atlanta
 photographygroup.org/apg_gear_swap_flyer_square.png
CATEGORIES:Meetups,Photo Book Saturday,Upcoming/Current
LOCATION:Atlanta Photography Group\, 1544 Piedmont Ave\, Suite 107\, Atlant
 a\, GA\, 30324\, United States
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=1544 Piedmont Ave\, Suite 1
 07\, Atlanta\, GA\, 30324\, United States;X-APPLE-RADIUS=100;X-TITLE=Atlan
 ta Photography Group:geo:0,0
END:VEVENT
BEGIN:VEVENT
UID:384@atlantaphotographygroup.org
DTSTART;TZID=America/New_York:20261018T140000
DTEND;TZID=America/New_York:20261018T163000
DTSTAMP:20260623T134544Z
URL:https://atlantaphotographygroup.org/events/critique-in-person-critique
 -group-moderated-by-beth-lilly/
SUMMARY:Critiques: Critique Classique moderated by Beth Lilly
DESCRIPTION:[vc_row height="auto" disable_element="yes"][vc_column][/vc_col
 umn][vc_column][vc_column_text css="%7B%22default%22%3A%7B%22color%22%3A%2
 2%23e02222%22%7D%7D"]SUBMISSIONS ARE CLOSED\, BUT REGISTRATION FOR THE LIS
 TEN &amp\; LEARN OPTION ARE OPEN THROUGH WEDNESDAY\,  NOVEMBER 9\, 2022 A
 T 10PM.[/vc_column_text][us_separator size="small"][/vc_column][/vc_row][v
 c_row height="auto" disable_element="yes"][vc_column][/vc_column][vc_colum
 n][vc_column_text css="%7B%22default%22%3A%7B%22margin-bottom%22%3A%22-30p
 x%22%7D%7D"]\nBarbara Griffin is the guest moderator for July 2025.\n[/vc_
 column_text][us_separator size="small"][/vc_column][/vc_row][vc_row width=
 "full" height="auto"][vc_column][/vc_column][vc_column][vc_column_text]\n\
 n[/vc_column_text][us_separator][vc_column_text]APG’s longest running pr
 ogram\, now referred to as Critique Classique\, is held in person at the g
 allery on the 3rd Sunday of each month from 2-4:30pm (with a short 10-15 m
 inute break in the middle).[/vc_column_text][vc_column_text]\n\nWhy Partic
 ipate in Critique?\nAPG believes that critique plays a crucial role in an 
 artist's growth and development. As part of our mission to support photogr
 aphic artists\, we feel it is important to offer a variety of options so t
 hat each artist can find the group that is the best fit for them.  Not ce
 rtain of the value?  Consider this:\n\n 	Feedback and Improvement: Constr
 uctive criticism provides valuable insights that help artists see their wo
 rk from different perspectives. It highlights areas that need improvement 
 and offers suggestions for growth\, ultimately enhancing their skills and 
 artistic vision.\n 	Learning and Development: Critique exposes artists to 
 diverse viewpoints and approaches\, allowing them to learn new techniques\
 , styles\, and concepts. Engaging with feedback fosters continuous learnin
 g and development in their artistic journey.\n 	Self-reflection: Evaluativ
 e feedback prompts artists to reflect on their own work critically. It enc
 ourages introspection\, enabling artists to understand their strengths and
  weaknesses better\, leading to more refined artistry.\n 	Building Resilie
 nce: Dealing with critique develops resilience and the ability to handle r
 ejection or differing opinions. It strengthens an artist's confidence and 
 prepares them to face challenges in their career\, fostering growth both p
 rofessionally and personally.\n 	Community and Networking: Engaging in cri
 tique sessions or receiving feedback from fellow artists fosters a sense o
 f community. It creates networking opportunities\, allowing artists to con
 nect\, collaborate\, and learn from each other.\n 	Audience Perspective: U
 nderstanding how an audience perceives their work is crucial for artists. 
 Critique provides insights into how their art is received\, helping them c
 ommunicate their ideas more effectively and connect with their audience on
  a deeper level.\n\n[/vc_column_text][/vc_column][/vc_row][vc_row width="f
 ull" height="auto" disable_element="yes"][vc_column][vc_column_text]\n\n\n
 \nGuest Moderator for April 2026 - Matt Haffner\nMatt Haffner is a photo-b
 ased\, mixed media artist who works in a variety of materials. These often
  include newspaper\, spray paint\, cardboard\, salvaged street signs\, whe
 at paste\, and industrial pencils combined with photographs which give his
  pieces a frenzied\, chaotic feel and show his roots as a street artist. L
 arge-scale site-specific installations and smaller works on paper examine 
 the artist’s memories of growing up in the urban Midwest. These personal
  narratives are woven together with mythologies and folklore to illuminate
  surreal and otherworldly experiences.\nHaffner’s works are in a variety
  of public and private regional\, national\, and international collections
 . He has won countless awards\, residencies\, and grants in support of his
  work\, including a National Endowment for the Arts Project Award\, Hambid
 ge Center for the Arts and Sciences\, MOCA Georgia’s prestigious Working
  Artist Award\, and a Forward Arts Foundation Award. His works additionall
 y\, have been published in a variety of books\, magazines\, web pages\, an
 d periodicals.\nMatt Haffner is based in Atlanta\, Georgia and is Professo
 r of Photography and Video at Kennesaw State University.\n\n\n\n&nbsp\;\n\
 n\n[/vc_column_text][/vc_column][/vc_row][vc_row width="full" height="auto
 "][vc_column][vc_column_text]\n\n\nModerator’s Bio\nBeth Lilly is a phot
 ographic artist whose work explores the formation of personal and cultural
  identities and the role choice\, chance and circumstance play in that ong
 oing evolution. Lilly earned an MFA in Photography from Georgia State Univ
 ersity and an A.B.J. in Telecommunication Arts from the University of Geor
 gia. Her work resides in the permanent collections of the High Museum\, th
 e New Mexico Museum of Art\, The Ogden Museum of Southern Art\, MOCA GA\, 
 the Zuckerman Museum and many other institutional and private collections.
  Her critically acclaimed performance/interactive project “The Oracle @ 
 WiFi” was published by Kehrer Verlag and other projects have been featur
 ed in monographs ‘Noplaceness: Art in a Post-Urban Landscape’ and ‘E
 arth Now: American Landscape Photographers and the Environment’. Her wor
 k has been reproduced and reviewed in such publications as Blind Magazine\
 , F-Stop Magazine\, Lensculture\, Art Papers\, Papermag\, Burnaway\, The B
 itter Southerner\, Atlanta Magazine and ArtsATL. Select exhibitions includ
 e New Mexico Museum of Art\, The High Museum of Art\, Spalding Nix Fine Ar
 t\, the SE Center for Photography\, Whitespace Gallery\, the Atlanta Conte
 mporary Art Center\, and the Center for Fine Art Photography. In addition 
 to her personal work\, she teaches\, curates\, and serves on the Board of 
 the Atlanta Photography Group.\n\n\nModerator's Website – www.bethlilly
 .com\n\n\n[/vc_column_text][/vc_column][/vc_row][vc_row width="full" heigh
 t="auto"][vc_column][vc_column_text]\nGuidelines for APG Critique Group:\n
 Membership Requirement: APG Critique Group is exclusively for APG members.
  Active membership is required to participate in presenting work for criti
 que.\nDrop-in Observers: We welcome drop-in observers from the local APG c
 ommunity who want to engage with the artistic process\, but are not prepar
 ed to present their own work. Drop-in observers do not need to register.\n
 Limited Presenter Slots: This APG Critique Group session offers a maximum 
 of 8 presenter slots. This limitation ensures that every participant has 1
 5 minutes to present their work and receive feedback.\nNo Registration: Pe
 ople will sign-up to present when they arrive at the critique and are acce
 pted on a first-come basis\, with a preference for people who did not pres
 ent during the previous month's session.\nPresentation Format: Each presen
 ter can present 8 images. While physical prints are preferred\, we have th
 e capability to display digital work on a large viewing screen if necessar
 y. Please ensure that your digital files are properly formatted and ready 
 for presentation.\nThe critique group is free for members.\nBy following t
 hese guidelines\, we aim to create a supportive and constructive environme
 nt for artistic growth and development within the APG community.\nNot an A
 PG Member? – Join or Renew Now![/vc_column_text][us_separator size="sma
 ll"][/vc_column][/vc_row][vc_row height="auto"][vc_column][vc_column_text]
 \nPeople will sign-up to present when they arrive at the critique\nand are
  accepted on a first-come basis\, with a preference for people\nwho did no
 t present during the previous month's session.\n[/vc_column_text][/vc_colu
 mn][/vc_row][vc_row height="auto" disable_element="yes"][vc_column][us_btn
  label="February 18\, 2024 Presenter Registration" link="%7B%22url%22%3A%2
 2https%3A%2F%2Fatlantaphotographygroup.org%2Fshop%2Fcritique-in-person-cri
 tique-group-moderated-by-beth-lilly-feb-18-2024%2F%22%2C%22title%22%3A%22C
 ritique%20-%20December%206%2C%202023%22%7D" hide_with_empty_link="1" align
 ="center"][/vc_column][/vc_row][vc_row height="auto" disable_element="yes"
 ][vc_column][vc_column_text]\nALL PRESENTER SLOTS ARE FILLED.\n[/vc_column
 _text][/vc_column][/vc_row][vc_row disable_element="yes"][vc_column][vc_co
 lumn_text css="%7B%22default%22%3A%7B%22color%22%3A%22%23b00e1c%22%7D%7D"]
 \nRegistrations will open at 6pm on January 17\, 2023. Please check back.\
 n[/vc_column_text][/vc_column][/vc_row]
ATTACH;FMTTYPE=image/jpeg:https://mlqotesv8ojd.i.optimole.com/w:auto/h:aut
 o/q:mauto/process:47971/id:a8ff34e1f57c928f038bfe4648af321d/https://atlant
 aphotographygroup.org//id:a8ff34e1f57c928f038bfe4648af321d/https://atlanta
 photographygroup.org/Critique-Classic-2-1critique-classic-2-2.jpeg
CATEGORIES:Upcoming/Current,Critiques
LOCATION:Atlanta Photography Group\, 1544 Piedmont Ave\, Suite 107\, Atlant
 a\, GA\, 30324\, United States
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=1544 Piedmont Ave\, Suite 1
 07\, Atlanta\, GA\, 30324\, United States;X-APPLE-RADIUS=100;X-TITLE=Atlan
 ta Photography Group:geo:0,0
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DTSTART:20260308T030000
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TZOFFSETTO:-0400
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